And now for the third pattern release of the Rise Up Collection, Emergence! Emergence is designed by Laura Patterson of Fiber Dreams. I love that she started with the same colorwork stitch pattern (called Abstract Diamonds) I used in my design, but she morphed it into a lace stitch. How creative is that? Here it is knit in a lovely gradient.
Rise Up is sold as an e-book on Ravelry and as an all-in-one collection on Payhip. The whole collection is published in both English and Spanish.
From January 12 through the 18th, the entire collection is $18. The price increases as patterns are added, ending with a selling price of $28. No matter when you purchase the collection, you will own the whole thing as each new pattern is added. Release dates (and price increase dates) are listed below. The collection will be a great deal all the way through (even at the final price of $28, it’s just $4 per pattern) – but it’s a super deal right now!
Individual patterns may be purchased from the independent designers on February 9, 2021.
Jill Wolcott (Jill Wolcott Knits) has interviewed each designer, and the interviews go up on her website the same week as each designer’s pattern is added to the collection. I’ve really loved learning about these designers and what drives their inspiration. Here: Jill interviews Laura.
I love that yarn talks to Laura, just as it does to me. It absolutely lets us know what it wants to be – or when it doesn’t comply, what it doesn’t want to be. And like me, she loves color. I think her lace designs are just lovely! You can find her website here: Fiber Dreams and here, Laura writes about Emergence.
I hope you are enjoying this collection as much as I am. This staggered release is a boon, allowing me to have time each week to really savor each pattern and to learn more about each designer.
Greetings from Oregon on a foggy Sunday afternoon! The beautiful, saturated color of the Alcyone Sweater cheers me every time I see it, and Knit Eco Chic’s love for the North Carolina mountains surrounding her brings a smile to my lips in recognition of my own similar love for the beauty of nature here in Oregon.
These two are the first two patterns released in the Rise Up Collection, sold as an e-book on Ravelry and as a collection on Payhip. On January 5 (through January 11) the entire collection is $15. The price increases as patterns are added, ending with a selling price of $28. No matter when you purchase the collection, you will own the whole thing as each new pattern is added. Release dates (and price increase dates) are listed below.
Individual patterns may be purchased from the independent designers on February 15, 2021.
Jill Wolcott (Jill Wolcott Knits) has interviewed each designer, and the interviews will go up on her website the same week as each designer’s pattern is added to the collection. I’ve really loved learning about these designers and what drives their inspiration.
Lindsay and her Great Dane Puddles are inseparable. Here he is assisting her in choosing which one to use in a photo shoot!
Lindsay’s Rise Up pattern is Mountain View. Lindsay uses ecologically-friendly yarns in her designs; this yarn is AppleOak FibreWorks LinCot, shown in the color Mayfly. I love the rustic look created by the blend of linen and cotton! It would also be really lovely in a smooth yarn, like this Amanda Hope Yarn Luxe DK in Chartreuse (80% Superwash Extra Fine Merino/10% Cashmere/10% Nylon, approximately 100 grams/246 yards). All of her colors are fab but I’m also really drawn to this Oil Rubbed Bronze. No matter what yarn you choose, you’ll have a winner in the Mountain View Cowl.
Christine Guest’s Alcyone Sweater is the second pattern in Rise Up. Christine’s background is chemistry with a minor in math. The structural influence of elemental building blocks really comes through in her designs. Here’s another photo of Alcyone, where you can see that the lovely stitch motif is carried on at the base of the sweater.
I think this sweater design is just gorgeous! You can read more about the pattern here: Alcyone.
Purchase the entire collection today or tomorrow, 1/11/2021, for $15 at Payhip or Ravelry. The collection will be a great deal all the way through (even at the final price of $28, it’s just $4 per pattern) – but it’s a super deal right now!
My pattern will be available separately on February 15, at $7. So grabbing the entire collection is still the best way to go.
Tuesday (1/12), Laura of Fiber Dreams will be adding her pattern to the collection. I believe she and I used the same stitch pattern, but while I used the original colorwork pattern, she morphed it into a lovely lace stitch pattern. It’s another winner!
Hoping that you will enjoy this collection and the fun insight into the creative process in each of the interviews.
I’m super-excited to be part of a wonderful collaboration of seven designers. The Rise Up 2021 Collection is a collection of seven patterns, with release dates of January 5, 12, 19, 26, and February 2, 2021. We started with a concept, a set of colors, and a group of stitch patterns. It was great fun to see how we each interpreted the same inspiration. The photo above is Alcyone by Christine Guest Designs.
Individual patterns may be purchased from the independent designers on February 15, 2021.
On January 5 the entire collection is $15. The price increases as patterns are added, ending with a selling price of $28. No matter when you purchase the collection, you will own the whole thing as each new pattern is added. The Rise Up 2021 Collection is available on Ravelry and Payhip.
My pattern, Garden Cowl, is a big, bold, bright and colorful colorwork cowl, worked in the round in worsted weight yarn. It very easily can be a stash buster, or mostly a stash buster, as 4 of the 6 colors require only about 75 yards of yarn. The picture below is a sneak peek of the cowl worn doubled. I’m so very happy with this design. It’s fun to make and fun to wear. I will be able to show you the whole design in a few weeks…
Enjoy this great collection of patterns! What a fun way to usher in 2021!
This weekend, our weather app predicts 100% chance of rain. Usually they’re not so certain and like to hedge their bets a bit, but rain must be a pretty sure thing around these parts today and tomorrow. (And, actually, it’s pretty much been raining non-stop since I started the first draft of this post earlier this morning).
This changes my plans somewhat, but it’s always a pretty safe bet that my weekend forecast includes chance of knitting: 100%.
You may have seen that I recently published Willow.
The name Willow evokes all things graceful: willows are strong and elegant, and, well, willowy. I find myself wearing my Willow often. It’s great to throw on when I get home from work in the evenings; I often get chilled, but if I can get my shoulders warm, the rest of me is warm, and Willow does that for me.
Willow is worked flat using bulky/chunky weight yarn, then seamed together with two quick seams. There’s even a tutorial for the seaming, here: Cabled Poncho Seam. This would be a great pattern for someone just starting out with cables.
Beth made this beautiful purple Willow.
I love what she says about her Willow:
I finished my Cabled Poncho test knit for @knitequalsjoy and I LOVE it! I thought I wasn’t a poncho person…turns out I just hadn’t found the right one. I knit mine in @blueskyfibers Extra, (alpaca and merino blend) which has beautiful drape and will keep me warm! And of course, it’s purple.
Such beautiful knitting! Thank you, Beth!
Currently in testing is Bold…with undertones of chocolate. Now, whether you interpret that as referring to coffee or to beer is up to you!
Bold is an oversized sweater knit top down, seamless, and stockinette-side-out. It took a bit of engineering to get the sweater to be reversible and to include a giant cable, so I was thrilled when I was able to make it work. If the ends are worked in carefully, the sweater truly is reversible, and can be worn with either the stockinette or the reverse stockinette side out, depending on your whim.
The pattern will be available for 5 sizes ranging from 32-50 in. (bust measurement). If in between sizes, one can choose from the actual finished sizes for the best fit. It’s worked on size 8 and 9 needles, so it’s a pretty quick knit.
I’ve worn my Bold to work a couple of times and have felt like a million bucks in it each time.
The pattern should be released sometime in the summer or early fall.
Finally, I’m working on a new sweater design. I recently found this yarn by Yama Fibre Arts and was smitten by its colors and textures. This is the YAMA Merino Linen Singles in Grey Sage and Nomad B3.
I’m using the two colors together. It’s a subtle contrast, and I love it, but I can see this sweater in so many different color combinations.
A few designs seem to write themselves (like last year’s Autumn Spice Pumpkin ) – and this one seems to be doing that as well. I think the color, fiber content, and spin of the yarn must suggest what will work for the yarn. It doesn’t always happen; sometimes the yarn puts up a stubborn and dogged fight against my ideas for it, but that’s another story…
This is worked in fingering weight and small(ish) needles, so it will be in the works for awhile before it’s ready for testing. I’ll probably be posting lots of progress pictures on Instagram, so you can catch those in either the Instagram feed or the Knit Equals Joy Facebook page.
I hope that you all have a wonderful weekend and that the chance of rain wherever you are isn’t 100%! Maybe your chance of knitting is.
Over a year ago, I was struck – “hit up ‘side the head” one might say – with the inspiration and desire to design a colorwork sweater. Nevermind that I had never designed a sweater. I was confident about the colorwork; not as confident about the construction of the sweater – but I had my reference books, so I was ready to go.
I started by building a secret Pinterest board – a mood board, so to speak. It is now a public board, if you want to check it out, here: Tee Inspiration. Using it as a springboard, I began choosing colors for the tee, charted out a flower, and began swatching.
This blog examines the design process. When I am designing, I’m not only designing and coming up with something that is (hopefully) pretty, but I am also thinking about how my mind is processing information in order to come up with that design. Basically, I’m thinking about how I think while I’m thinking. I believe this caused me some anxiety when the design wasn’t coming together like I thought it should. I was experiencing roadblocks, and I didn’t know why. I do know enough from experience to know that when this happens, I should stop whatever I am doing and let my thoughts go work on some other problem for awhile.
However, at this point, probably 9 months after the initial inspiration, I had too much invested in the design. I felt driven to finish it. Even if it didn’t come out exactly as I had hoped, I just wanted it DONE.
So, I finished it. I finished the knitting, I finished the writing, and sent the pattern for tech editing. Whew, such a relief!
I think it’s telling that what I love most about the pattern are the photos. That photo shoot was great fun and practically all of the pictures turned out well. I also loved being able to use the Kitchener Stitch with this sweater and working with the fabulous yarn.
Still, I don’t feel confident in this pattern. I don’t think it is ready to go out into the world yet. A friend is testing it, and I worry that it’s not going to fit correctly. I know that sometimes those worries are completely unfounded; yet, there it is.
What this tells me is that the pattern needs to go into time-out for awhile. Perhaps I won’t ever publish it. Perhaps more time needs to go by and I need to work on other projects. Then suddenly one day, something will click, and I will know what this pattern needs. In the meantime, I may make my sweater into a dress (with a feather and fan skirt) and add long sleeves in teal. –Perhaps that’s what the pattern needs. Maybe I stopped too soon by making it a tee instead of a dress.
I’ll conclude by saying that now that I have finished writing the pattern, I feel incredible lightness. My brain cells are freed to think in other directions and about other designs. I had felt as if the life had been sucked out of me – and now it is back.
…more to think about in the design process…when something takes over like that and becomes nearly an obsession, perhaps that is the time to drop it and turn in another direction. Or perhaps one must pursue it to its conclusion to learn whatever lessons there are to be learned.
Note: This post was written a couple of months ago, in July. The pattern is still in time-out. Other patterns have been written. Is it time to move on? We’ll see…I’m still considering other methods of construction and other variations for the colorwork sections – kicking those ideas around to see if they will coalesce into something new.
Thanks for taking the time to stop by and to read about my experience with the project from H-E-Double Toothpicks!
Sketches. Used to capture and make more concrete the wispy impressions of design ideas. Or used to convey them to others in a third-party submission. Some of these morphed into something else, perhaps recognizable to you. Others, well, they were just thoughts. A look into a sketchbook.
If you have followed my blog for long – or read my “about me” page – you know that I LOVE the beach. Part of what draws me to the beach is the endless variety of texture to be found there. Especially here on the rugged Oregon Coast, the objects to be found on the beach are richly varied, always interesting. I’m always looking for something unusual, something new, something lovely or striking.
Texture strikes me. It draws my attention. It is beautiful in its order and in its variety. Visually, as light moves over the surface of an object or vista and the eye detects changes in line and shape, this is texture. As light plays over differences in density within an object, and we see these differences, we see texture. And when the eye travels over a surface and, along the way, discovers changes in the nature of that surface, we recognize this as texture.
The pictures in this post were originally published in a Wordless Wednesday in August 2015. There were reasons for choosing these specific photos, so I wanted to revisit them – and to think about the nature of texture.
During a ridiculously long walk along this section of the beach in Newport, which I paid for later with complaining, swollen ankles and aching muscles (note to self: no more beach hikes wearing flip flops!) I was the winner in finding amazing textures, such as those in the barnacles and driftwood above.
And what about these wind shadows? I found them enchanting – sand protected from the wind by small items on the sand blocking the movement of air. This interesting textural phenomenon was all around that day.
Fascinating: an object masquerading as something quite different in nature from its own nature.
And finally, when I was heading back on that Newport hike, I came upon this impromptu sand and driftwood sculpture. Well worth the price of admission!
I finally explored the Salishan Spit in August 2014, after having been curious about it for years. It can be seen across the Siletz Bay from the highway, but I had never been there – I couldn’t even figure out how to get there! Finally I did my research, took the eight mile hike, and was mesmerized the entire time. There was something new to discover every bit of the way, from the dark sand (called “tar sand” by some locals) to a desolate “tree graveyard” filled with sunbleached, craggy remnants of an ancient forest.
When I returned to Gleneden Beach the following February to photograph the Salishan Cowl for the completed pattern, I was reminded again why this place had inspired this design. The organic, curved shapes were everywhere, from the clouds in the sky to the patterns in the sand.
As my eye finds textured nuances like these, they are filed away in my brain under “inspiration.” And some day, hopefully, bits and pieces of them will reconnect and reemerge – as a new and pleasing design.
I’m getting into the holiday spirit – and being helped by a lovely, fun and unique advent calendar, the 2015 Jacquie Lawson Advent Calendar. A dear friend gifted it to me, and I’m loving it! It is a downloadable app for PC or iPad, and each day there is something new to unlock. The theme is Victoriana; the scene, a Victorian village. A Christmas playlist, designing your own snowflakes, decorating Christmas trees, and a game in which you break ornaments are a few of the features I have found so far. I love the design element of this application – the artistic and creative ways that someone applied her gifts to create something new. This is designed by a team, actually, but that makes it no less creative, to my view.
I hope you will go check out the demo video. This is a great Christmas gift idea – very reasonably priced, unique, and uplifting!
The Salishan Cowl is another pattern which lends itself to a look into the design process. In this case, it was a matter of being immersed in a place as well as spending time pondering the building blocks of knit design, the stitches.
I’ve lived in Oregon for 25 years now, and have known of the Salishan Spa & Golf Resort since shortly after we moved here. I’ve driven by it numerous times, but it wasn’t until last August that I finally stayed there.
When I arrived, I wasn’t sure what to expect. I found that the grounds were quiet and peaceful. The room was spacious; there was a choice of restaurants and the food was delicious. The atmosphere was that of a mountain lodge even though the ocean was within walking distance.
This was to be one of my retreats at the beach, where I spend time knitting, resting, designing. I spent the first few days knitting, taking walks and puttering around. I threw a bunch of yarn (collected over the years) on a table, hoping that color combinations would jump out at me and inspire some designs:
The yarn led me down dead end paths. Perhaps they were dead end at the time and may yet lead to new designs. Time will tell.
As it turned out, though, the inspiration came from the place itself.
The resort is situated so that the lodge, restaurants and accommodations are on the east side of Highway 101. It’s about 1/4 mile walk from the rooms to the highway, which you cross to the golf course, spa and shops.
There’s even a lovely yarn shop in The Shops, In The Wind Yarns. It was new to me then, but now it’s a must-stop place whenever I go to the Coast. I love to visit and see all the new things they are working on and what new yarns they’re bringing in. There’s always something fun going on!
But I digress! At last I was going to explore the Salishan Spit, which I had always been curious about. Viewing across the Siletz Bay from Highway 101, there is a thin slice of land with houses on it. How does one get there? During my stay, I learned that The Spit is accessible by car only to residents of the gated community or to guests of the resort. Otherwise, it may be accessed by foot on a trail which begins next to the shops and golf course.
It’s a long hike to traverse the length of the spit. As I approached the end of the spit, I turned a corner and was shocked to discover that we had black (or dark gray) sand on an Oregon beach! It was one of those amazing moments when you find something completely unexpected. I had absolutely no idea we had a dark sand beach in Oregon.
You can see the dark sand over the light here:
And these organic shapes and lines:
It was all hauntingly beautiful.
The building blocks:
Also during my stay at Salishan, I spent time poring over my stitch dictionaries. One stitch in particular, the Japanese Feather, struck me as very beautiful and elegant. An added bonus: as far as lace stitches go, it’s pretty straightforward and easy. And it’s apparent to me that my subconscious zeroed in on that stitch pattern as a representation of all the lovely lines and shapes I had seen during my wanderings – even including that “S” in the Salishan signs.
The process and the pattern:
During the next six months, the impressions from Salishan and the thoughts of that stitch remained with me. Sometime in December of 2014 or early January 2015, I found the perfect edging for the cowl: the Herringbone Stitch. It would create a pleasing contrast of a highly structured edging with the organic shape of the Japanese Feather. Additionally, it was a stitch that wasn’t being used by a large number of designers, so it would create a unique look. And finally, it’s a fun stitch to work, albeit time consuming.
The pattern also includes the option of working a Seed Stitch border. It is easier and quicker than the Herringbone Stitch border, and it still creates an elegant look.
Worked in Malabrigo Silky Merino, this cowl just floats! It also is lovely in Rowan Felted Tweed.
This design is really one of my favorites. Not only do I feel like a million bucks whenever I wear this cowl, but I have the treasured memory of finding this beautiful and unexpected, somewhat hard-to-reach beach, which I hope to visit many, many more times in the future.